Month: March 2015

BBC School Report Day: Media Literacy at Horns Mill Primary School, Helsby

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I went back to school last week.

Well, sort of. Last Thursday marked BBC School Report Day, the day designed by BBC Learning to help schoolchildren make their own news reports.

The project is aimed mainly at secondary schools but I joined a colleague at Horn’s Mill Primary School in Helsby to run a news-writing and media-literacy workshop for year six pupils [pictured above].

The day-long project took a cross-curriculum approach and was based around the class’ set text, King Kong.

The class worked in pairs to research, structure and write a series of news reports about New York City.

After the morning editorial conference, we draw up a news list [pictured below].

Here are some of things we talked about:

  • What do journalists do all day?
  • What makes news? How do we find news?
  • Why is direct speech important for writing articles?
  • How is it different to write stories in a media style?
  • What reflections and learning points did we get from the day?

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Here are a selection of the comments from the learners on the day:

  • “I really enjoyed it. We discovered there are a lot of stages to writing a good story” – Oscar & Nathan
  • “It was fun. We found out how to use the who, what, where, when, why, how.” – Jess & Izzy
  • “I learnt about writing stories and that research is as important as writing.” – Billy & Amy
  • “It was interesting to meet a reporter and learn how to write a news report.” – Zak & Keira

* Do you have any tips for leading KS2 workshops? Share your views below.

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Gazetteer

BBC School Report 2015

Horn’s Mill Primary School, Helsby

Punctuation: Why you’re all missing the point

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* Image via www.badlanguage.net

I’m becoming increasingly passionate about punctuation. No, really [deliberate use of comma].

I even spent ten minutes arguing about the placement of a full stop as part of a conference-call pitch to a tourist board recently. A comma, I insisted, just wouldn’t cut it. It had to be a full stop.

Maybe this grammatical grandstanding stems from years of marking undergraduate work in need of a good proofreader, or maybe it’s a grumpy-old-man reaction to the proliferation of typos creeping into articles online.

Either way, I find myself increasingly correcting semicolons, exterminating ellipses and battling with pedantic zeal my arch-nemesis: the exclamation mark.

So, when BBC 6Music presenter Gideon Coe announced a themed edition of his nightly show based around the concept of adventures in punctuation this week, I was tuning in before my old chief sub could sneer over my shoulder, “That should be an en dash.”

The show threw up a winning combination of great music and stylebook-testing punctuation pondering, such as the majesty of Nick Cave’s (Are You) The One I’ve been Waiting For? [brackets and a question mark] and the mysterious case of the missing question mark from The Smiths’ How Soon is Now.

It’s like the presenter said, announcing a track by the featured artist of the evening, Half Man Half Biscuit (Westward Ho! Massive Let-Down, since you ask):

“Punctuation is important.”

Well said, Gid. And, yes, the Devon village does come as a package with its symbiotic exclamation mark.

I’ll let that one go but, much as I love the music of Jenny Lewis, the gratuitous use of exclamation points (as our American cousins like to call them) in the title of the track Rise Up with Fists!! [see below] cannot be allowed to pass without a yellow card.

The listener-led discussion then turned to great punctuation abuses in rock, notably The REM album Lifes Rich Pagent.

The fourth studio album by the band, released in 1986 and featuring the track Fall on Me, is ominously missing an apostrophe to demonstrate the possessive.

It’s like David Marsh, another stickler for perfect punctuation and the man behind The Guardian‘s Mind Your Language blog, says:

“If only they had used an apostrophe, the meaning would have been clear.”

Of course this is nothing new.

Lynne Truss has been banging this particular discourse-inspired drum since the publication of her 2003 book Eats Shoots & Leaves.

I read it again recently and continue to admire her juxtaposition of scholarly research with deft, light touches of phrase.

But I fear Lynne and I could come to blows about those pesky exclamation marks.

Introduced by humanist printers in the 15th century, it was known as ‘the note of admiration’ until the 1800s and has been treated with caution by grammarians ever since.

Truss mounts a spirited defence of the exclamation mark and outlines a series of suitable uses, ranging from involuntary ejaculations (Phew! Lord love a duck!) to deflecting potential misunderstandings of irony (I don’t mean it!).

But, for me, the exclamation mark is the preserve of writers who simply try too hard. They don’t have the lexicon of language to make their point without honking like a deranged clown with a misfiring hooter.

It’s like Truss herself says:

“In the family of punctuation, where the full stop is daddy and the comma is mummy, and the semicolon quietly practises the piano with crossed hands, the exclamation mark is the big attention-deficit brother who gets over-excited and breaks things and laughs too loudly.”

Gideon Coe was far too fair-minded to boycott the exclamations during Punctuation Night. Indeed, Godspeed You! Black Emperor featured prominently in the evening’s dramatic coda.

But I think exclamation marks are – like Facebook – pure evil. Ban them, now!

What do you think about this post? Comment below.

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BBC 6Music: Gideon Coe

Bad Language: WTF

David Marsh: if you can’t use an apostrophe, you don’t know your shit

Story of the week: Last of the summer wine in Holmfirth, Yorkshire

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A wintery Friday afternoon and Ashley Jackson is holding court.

In the upstairs office above his West Yorkshire gallery, the 68-year-old, Barnsley-born landscape artist is nursing a crystal tumbler of well-aged single malt.

In the background an array of photographs show him receiving his courtiers: Sarah Ferguson, Rudolf Giuliani and professional Yorkshireman Fred Trueman.

“The quarry and mill men started the creative tradition of Holmfirth,” he chuckles to himself.

“The town had poets, musicians and intellectuals long before Last of the Summer Wine arrived. I had a gallery in Holmfirth for many years BC – before Compo.”

According to Ashley, Homfirth’s appeal is simply its visceral beauty – and the people inspired by it.

“Holmfirth is masculine country. If you appreciate the moors and nature, you’re welcome in Holmfirth with open arms,” he winks. “But the moors breed a certain type of person. They don’t breed bankers, that’s for sure.”

Coach parties

Ashley has granted me an audience to help me discover why this small West Yorkshire community is booming with house buyers chasing the life-work-balance dream.

To the outsider, the proposition seems unfathomable with dark, satanic mills looming over rough, forbidding moorland.

To the coach parties that clog up the triumvirate of main streets each weekend, the unique draw is the long-running television series Last of the Summer Wine, which first started filming in the area in 1972.

But to the converts, Holmfirth is a burgeoning arts hub with the Picturedrome Cinema, a glorious arthouse institution dating from 1912, the trail-blazing CragRats Theatre and a slew of well-regarded art galleries.

Ashley is right too – there was life before Compo. Bamforth & Co a publishing, film and illustration company based in Holmfirth, not only pioneered the saucy seaside postcard, but also preceded Hollywood as a film-making centre, making its first monochrome films in 1898.

Well connected

Located ten miles south of Huddersfield, Holmfirth is the main settlement in the Holme Valley.

A mill town since the Industrial Revolution, it’s overflowing with bucolic charm – think local stone-built cottages perched precariously on steep, twisting roads.

It’s also very centrally located for commuting to Sheffield, Leeds and Manchester, all university towns, and all within one hour’s drive. Within 20 minutes you can be cruising down the M1 or M62.

Despite the rural location, house prices are well above the district average and there is a high demand area for housing, while 11.3 per cent of economically active locals are self-employed compared to a national average of 8.3 per cent, according to figures from Kirklees Council.

“Holmfirth is small enough to feel friendly but big enough to be worth coming to.”

“It’s come of age as a destination with the advent of broadband,” says Max Earnshaw, Managing Director, EarnshawKay estate agents.

The broad range of housing stock ranges from a farmhouse with 30 acres for £1m to a two-bed cottage for £125,000, while a typical, four-bedroom detached house with a garden sells for around £250,000.

Particularly popular for conversions are the three-storey weavers’ cottages, as are the outlying villages of the Holme Valley, such as Upperthong, Netherthong and Wooldale.

“We get quite a young clientele – typically people in their early thirties who have done their time in London. People who want to retire head for North Yorkshire,” says Earnshaw.

“We have mill conversions with aspects of new build, but they cost £200,000 plus, so there’s not much for first-time buyers. But there are lots of empty old mills, which are ideal for setting up a business,” he adds.

Time for tea 

Sue and Chris Gardener moved to Holmfirth seven years ago from Harpenden and did just that.

They bought the Wrinkled Stocking Tea Room, part of the building used as the film location for Nora Batty’s cottage in Last of the Summer Wine, as a going concern.

Downstairs an exhibition of memorabilia marks the 25th anniversary of the programme. But, as outsiders to Yorkshire, they are known as ‘comer-inners’ in the local parlance.

“We weren’t fans of the show. I always took the theme music as my cue to leave the room on a Sunday evening,” says Sue, as we sit amid floral tablecloths and china cups with an array of mouth-watering homemade cakes on the heaving sideboard.

“It’s okay as a comer-inner. People are genuinely warm and friendly. They may take a while to get to know but, when you do, you have a friend for life,” explains Chris. “And the countryside is stunning.”

“We walk the dogs every day and love the space. In Harpenden, we used to queue just to get into the car park at Waitrose.”

Cultural life

The Last of the Summer Wine set still draws the crowds but, in recent years, it’s the town’s cultural scene that has really captured the imagination – leading to a new influx of comer-inners. The HD9 postcode is now the second-highest theatre going audience in the region.

CragRats, a theatre, communication and education business, founded in 1991 and housed in a converted woolen mill at the edge of town, is the best exponent of the thriving arts community.

The company employs 80 staff and has over 300 actors on its books, running training programmes for companies as diverse as Diageo and West Yorkshire Police. The sprawling labyrinthine building is home to a theatre, a multi-media department and a corporate training facility.

“People think Holmfirth is the back of beyond but there’s a lot of raw talent in this area,” says David Bradley, Chairman of CragRats and co-founder of the business.

“The arts scene started with the film industry and I think the sense of creativity has been built into the fabric of the area ever since.”

“We chose Holmfirth for the building, the location and as a geographical centre as it’s close to Manchester and Leeds,” he adds.

“Most of all, I wanted to live somewhere that has a strong sense of identity and community.”

 Your round

Back at the Ashley Jackson gallery, we’re draining our whiskies and bracing ourselves for the icy bite of winter.

“People round here tell it straight and I enjoy their directness. It comes from the moors. But go into any pub in Holmfirth and you’ll soon find out if you’ve been accepted,” chuckles Ashley.

The secret? “It’s the greatest gift you can give a Yorkshireman,” he winks.

“You know they’ve accepted you when they ask you to get a round in.”

What did you think of this story? Post your comments below.

This article was first published in the Weekend FT in 2008.

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Celebrating 150 years of Alice in Wonderland in Cheshire and North Wales

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This year marks the 150th anniversary of the publication of Alice’s Adventures in Wonderland by the author Lewis Carroll.

That means Mad Hatters and Cheshire Cats will be everywhere this spring.

It also means, handily for me, a couple of assignment right on my doorstop in Northwest Britain – hence February was spent chasing white rabbits from Cheshire to North Wales.

The Alice trail starts in rural Cheshire. Lewis Carroll was born Charlie Dodgson in the village of Daresbury in 1837 and his father was vicar at All Saints Church.

It then moves on, via the Roman city of Chester, to the Victorian seaside resort of Llandudno.

It is alleged that Carroll, a family friend, would visit the Liddell clan at their holiday home in Llandudno in the 1860s.

I followed the Alice Trail over half-term holidays with my two daughters and the stories that came out of this trip have both now been published.

Read Find the real Alice in Wonderland, published by Rough Guides.

Read Through the Looking Glass in Llandudno, published by Dad.info.

Do you know more places with an Alice connection? Share your comments below.