Did you read the Daytripper feature in the Telegraph this weekend [pictured above]?
Don’t bother if not.
I read it and couldn’t help wondering if the writer had actually spoken to anyone who lives in, or even knows Chester at all?
It’s sad to see the same tired, old clichés trotted out like a flagging mare at Chester Races.
Especially when Chester was recently voted one of Britain’s ten favourite cities by Telegraph readers — ahead of Lincoln and Oxford.
There’s a zoo — well, who knew? And there’s a hilarious anecdote about shooting a Welshmen within the city walls. Hold the front page.
It seemed to me that this article completely missed the real story in Chester right now.
There was nothing about the rise of the Chester indies, the high number of independent business owners now bringing new choice and variety to eating, drinking and shopping around the city.
No reference either to the revitalised Chester Market with its Friday-night foodie events.
Nor to the work that local MP Chris Matheson and creative community project GFN Chester have done to launch the Hunger Games promotion this week to champion local eateries.
There was also nothing about Storyhouse and its work to bring the Woman of the World festival to Chester this April. In fact, there was no reference to Storyhouse at all.
Surely anyone walking round the city with their eyes open would find it hard to miss the erstwhile Art Deco cinema converted into our new arts centre-library.
This was, at best, ill informed and lacking in proper research.
I’m tired of writers coming from London, casting a withering eye over the city and clearing off again having added nothing to the conversation.
Especially as I know how much hard work goes on behind the scenes to #makechester.
From individuals ploughing their heart and soul into a local business like Meltdown or Covino (amongst many others) to publications like Tortoise and Amble speaking up for non-chain Chester, this is a radically different place to the city l left in the Nineties to go to university.
I’ve already tweeted the writer with some suggestions for what he should have done on his visit.
You might like to drop the paper a line, too, to let them know that this is …
My first article of 2019 was published in Telegraph Travel this weekend, focussing on a new indie-music festival at sea [above]. Here’s the full text.
We’ve seen classic rock at sea and turned the amps to 11 for some heavy metal sur mer — think Spinal Tapmeets Carry on Cruising.
But the latest music-cruise alternative to Glastonbury is one for the post-Britpop indie fans.
Stuart Murdoch, lead singer and songwriter with Scottish indie stalwarts Belle and Sebastian, is setting sail next summer with the Boaty Weekender, a four-day cruise around the Mediterranean in collaboration with theme-cruise specialists, Sixthman.
“We thought we had missed the boat — excuse the pun — as we failed years ago to organise a tour of the UK by boat. But we always liked the idea of setting up the equipment then retiring to our cabins,” he says.
“Having a captive audience puts a nice pressure on the band to host the event.”
The curated festival at sea, running August 8-12, leaves Barcelona with two day sat sea before a port day in Cagliari, Sardinia.
The passengers will have the run of the 11 bars, 15 dining experiences, casino and spa aboard Norwegian Cruise Line’s Norwegian Pearl.
“I’ve never taken my family on a cruise but I’m always happier traveling by sea — it’s in the blood,” says Murdoch, whose father was the chief engineer on the Caledonian MacBrayne ferries off the west coast of Scotland.
“Some of my earliest childhood memories were at sea, taking livestock around the Hedrides. I still love that sense of being far away, even if I’m just one hour from Glasgow.”
The band will headline each day with an eclectic line-up of supporting bands across five stages, including Mogwai, a reunited Camera Obscura and Django Django amongst others.
“We’ll be playing a sail-away gig to some 2,500 people on deck as we leave Barcelona,” says Murdoch, whose lyrics are known for their literary references and shades of rainy-day-Glasgow melancholy.
“It’s like organising a huge party for a bunch of friends, so I guess we should steer away from some of our more introspective back catalogue,” he adds.
“We’ll keep it upbeat for that party vibe.”
It’s also a family affair with father-of-two Murdoch planning to replace the deck quoits with meditation workshops, a daily film matinee screening the band’s favorite films and a host of family-friendly activities.
Guests booking the first 350 staterooms will be invited to an intimate performance of Belle and Sebastian’s fourth album, Fold Your Hands Child, You Walk Like a Peasant, never before performed in its entirety.
“We’re building a University Challenge-style set for quiz teams, plus there’s going to be indie karaoke. I don’t normally partake but I got up to sing at my kid’s school recently,” he smiles.
“Maneater by Hall and Oates is now my tongue-in-cheek, go-to karaoke number.”
Belle and Sebastian formed in Glasgow in 1996 and the Boaty Weekender marks the 20-year anniversary of the Bowlie Weekender festival the band previously curated at the Pontin’s holiday camp in Camber Sands.
If successful, more Nineties indie kids could be combining nostalgia for their favourite bands with a family holidays at sea on further voyages.
Pre-sale tickets are now available with prices from £979pp, based on two sharing, in an interior cabin, including meals and activities.
And if the Med turns unusually choppy next summer? Murdoch is unfazed.
“The intimate play through of our fourth LP requires an orchestra, so whatever happens,” he says, “the string section will keep playing as the plaster crumbles around us.”