Tag: lockdown

Lockdown loafing: the truth about Chester’s favourite ghost story

It’s one of the Chester’s favourite ghost stories.

The tale of a mystery figure, dressed as a monk and spotted on a winter evening, walking along the spooky passage by St John’s Church — the one with the coffin in the east walls [pictured above].

The figure has been seen many times over the years, patrolling the passageway beyond the westerner facade, which leads towards The Groves, the riverside walkway.

His presence is linked not with the church, however.

The Hermitage, the hidden building on a sandstone outcrop between the city walls and the river, is alleged to be his home.

The mysterious building, now privately owned and a reputed hotbed of poltergeist activity over the years, is also known by the name on its tucked-away entrance gate, The Anchorite Cell.

The story suggests the mystery man could be King Harold Godwinson, the vanquished Saxon king who got something in his eye at the Battle of Hastings in 1066.

It’s a story we all know from school history classes and one made famous by the Bayeux Tapestry.

Waltham Abbey in Essex claims the last resting place of King Harold. There’s even a stone marked with the words:

“This stone marks the position of the high altar behind which King Harold is said to have been buried in 1066.”

But Chester offers a different version of the story.

Local historians suggest that Harold’s mistress, Edith Swan Neck, rescued her lover from the battlefield and brought him to Chester to live out days in The Hermitage.

Disguised as a monk, he blended into the local community of holy men, who made their home at St John’s since the 7th century.

Edith cared for him during his final days, bringing supplies to his secret Chester hideaway.

It’s easy to dismiss the story as ghost-tale tosh but the sightings over the year offer first-hand accounts.

And excavations of the collapsed western facade years later unearthed two human skeletons entwined together in an eternal repose.

It’s a story I look forward to retelling when Chester Ghost Tours return after lockdown, especially if I’m leading a tour around King Harold’s Day, the nearest Saturday each year to October 14th.

Could the mystery monk behind Chester’s favourite ghost story be a long-lost King?

That would be one in the eye for Essex.

Daily Mail Travel Trends under lockdown: Not a handshake but a namsate

Image: Nicolas Nova via Flickr [https://www.flickr.com/photos/nnova/]
* This story was first published in the Daily Mail.

Prince Charles, arriving at the Prince’s Trust Awards in March, was about to go for the handshake.

But, mindful of the new social distancing rules, he quickly improvised an off-the-cuff alternative.

He was then seen offering Ant and Dec, amongst others, a royal namaste, the traditional Hindu greeting putting palms together and fingers pointing up.

“I do it all the time,” he joked.

But the Prince may have a point. With social distancing here to stay, our familiar greetings are suddenly off limits.

All change

Handshakes and hugs were amongst the first victims of the global pandemic.

Air kisses on a quarantine-free trip to France could be met with a gallic shrug, and the traditional Maori hongi, noses pressed together in greeting, consigned to the pages of history.

While both Boris Johnson and Donald Trump happily pressed the flesh pre-lockdown, some have called time on the handshake.

Anthony Fauci, a leading American public health official, told the Washington Post:

“I don’t think we should ever shake hands again, to be honest with you.”

It’s a hard habit to break, however.

The humble handshake featured in ancient Greek and Roman art as a symbol of peace.

Human contact

Greeting gestures remain important to express genuine emotion with some 55 per cent of human communication attributed to body language by the psychology professor Albert Mehrabian.

Perhaps our travel experiences could offer a contact-free solution to the dilemma?

Looking to other countries, we find a ready supply of everyday greetings far more acceptable than the ham-fisted knuckle bump and the comical, so-called Wuhan shake foot-tap, which both appeared during the early days of lockdown.

Alternative gestures

The Asian countries are the natural choice to find new non-contact greetings.

For example, the Thai wai, whereby you bow the head and put palms together, is a traditional gesture of openness.

It’s popular throughout Southeast Asia and used in both prayer and dance as well as greetings.

Dr Sylvie Briand, Director of Pandemic and Epidemic Diseases at the World Health Organisation recently tweeted her approval.

“We need to adapt to this new disease,” she wrote.

The formal bow, meanwhile, was introduced to Japan in the seventh century and remains de rigueur in a country that prides itself on adhering to social etiquette.

We could adopt this greeting for more formal settings with the degree of bow reflecting the respect and reverence you attribute to the other person.

Otherwise we should look to the Middle East for a more spiritual symbol.

Simply place the right hand on the heart, which is sacred in Islam as the seat of the soul, and say as-salaam alaikum, meaning “peace be upon you”.

Maybe, instead, it’s time for a radical rethink as part of the new world order.

The Hawaiian shaka sign, curling the middle three fingers while extending thumb and little finger, could be adopted beyond the surfing community, who know it as the ‘hang loose’ symbol.

More radical still is the Zambian ‘cup and clap’, whereby you cup your hands together and clap a couple of times while offering the greeting muli bwanji.

Sign of respect 

Most viable of all, however, seems to be the traditional Hindu namaste, which is rapidly moving beyond the yoga mat to take centre stage.

The Sanskrit term, meaning ‘the highest in me salutes the highest in you’, is the natural successor to the handshake.

Besides, it’s good enough for the Dalai Lama.

And it’s far preferable to watching Health Secretary Matt Hancock close a Government press briefing with a Dr Spock-style Vulcan hand salute, staring down the camera with the words, “Live long and prosper.”

It seems Prince Charles may have inadvertently set a trend for us all to follow.

Namaste to that.

Read the edited version in Mail Travel.

Lockdown loafing: the hidden story behind the Roman Gardens

It’s a place I used to take my children to play when they were little. They jumped on the ancient stones in a game of stepping stones.

It’s also the place I watched the Grand Budapest Hotel under a picnic blanket as part of the Moonlight Flicks series of outdoor films screenings.

It may now be eerily quiet under lockdown but I can still learn something new about familiar places on my daily walks around my home city.

The blossom-showered mosaic [pictured above] marks the entrance to the Roman Gardens, which are not, strictly speaking, gardens, nor Roman.

But, according to Chester Tour, we learn the design of the gardens is deliberate to create a winding path towards the river in the shape of a serpent coiled around a staff.

The design is a tribute to Asclepius, the Roman god of medicine.

The gardens were laid out in 1949 to display fragments of the ancient Roman buildings found around the city — the stoneworks there today were originally eslwhere.

Many of the fragments come from the original site of the Roman bathhouse on the east side of Bridge Street.

Others were uncovered during renovations of the city walls in 1887. They had been taken from various buildings across the Roman citadel, established from 74AD, to repair the walls in the late Roman period.

The site never served as a garden. It was originally part of a Roman quarry, later partly home to a 18th-century clay tobacco pipe factory in the and, finally, a cockpit for cock fighting — until it was banned in 1849.

One day we’ll be back at the Roman Gardens, watching a film as part of Moonlight Flicks, or eating ice creams bought nearby at the riverside kiosks.

But, for now, I’m soaking up the silence and seeing familiar places in a new light.

Lockdown loafing: an audience with a Roman goddess in a Chester park

I took my children to the local park for years.

But it took ages for me to realise there is a 2,000-year-old historical artefact near the swings.

The park is Edgar’s Field, located in the Chester district of Handbridge, and the relief carving is the Roman goddess Minerva [pictured above], cut into the former quarry face.

The shrine is believed to have been carved into the sandstone in the second century AD.

Historic England believes it is the only such site still in its original location in Europe.

During my lockdown walks, I often come for an audience with Minerva.

Gracious goddess

Minerva was the patron of art, wisdom and craftsmen, amongst others. Later in Roman history, she became the goddess of war, too.

In many ways, she is similar to the Greek goddess Athena with temples built in her honour.

The effigy is often portrayed wearing a chiton, which is an ancient Greek tunic, and a helmet.

Many images show her holding a spear and a shield, to represent her interest in war.

But she can also be found offering an olive branch to the defeated. Minerva was a gracious goddess, who had sympathy for those her armies had vanquished.

Secret site

The shrine, first built by quarrymen working on then quarry during Chester’s Roman era, may look like a hobbit house.

But the weathered rock was actually an important site of ancient worship.

The quarrymen, excavating the huge blocks of sandstone used to build Chester’s Roman wall, first carved the effigy to honour Minerva.

They made offerings and prayed for safety in the course of their gruelling, risky labour.

Today, it now forms part a leafy park on the banks of the River Dee, situated to the south of the city centre.

Sadly, Minerva looks a bit the worse for wear — the weather and vandalism have seen to that.

But you can still pick out her figure, holding a spear and wearing a helmet, an owl over her right shoulder.

The awning over the shrine is a 19th-century addition, placed there to ward off further damage.

Hidden history

Edgar’s Field dates from the Saxon period and gets its name from King Edgar, the great-grandson of Alfred the Great, who held a council in or near the field in the year 973 AD.

From here the king visited nearby St Johns Church, Chester’s original cathedral, first built in 689 AD.

Writers described a scene of Edgar being rowed up the Dee by eight princes as an act of submission — a romantic image forever associated with Chester.

Edgar’s Field was laid out as a public park by the first Duke of Westminster, Hugh Lupus Grosvenor, who presented it to the City of Chester in 1892 as an act of philanthropy.

It’s an eerily quiet place right now, especially with the children’s playground closed for now for public health reasons.

But I love the way I learnt, pushing kids on swings and teaching them to ride bikes on the slope, that there’s a bone-fide Roman goddess at the end of the street.

The world changes but Minerva waits, serene and stoic, keeping watch over us all from her freeze-frame stone tomb.

 

Gazetteer

Friends of Edgar’s Field https://edgarsfield.weebly.com

Howard Williams, Professor of Archaeology at the University of Chester https://howardwilliamsblog.wordpress.com/2019/02/15/chesters-minerva-shrine-to-get-a-digital-afterlife/