Month: March 2016

Story of the week: Robin Hood in Sherwood Forest, Nottingham

1035_01_2---Robin-Hood-Statue-Robin-Hood-is-the-world-s-best-loved-outlaw_web

In Sherwood Forest all paths lead to the Major Oak.

The 900-year-old tree towers over the green shoots of the forest like an elder statesman on the bright spring morning of my visit.

Meanwhile, a crowd of appreciative onlookers snake a meandering trail from the visitors’ centre to gaze upon the place where the Britain’s best-loved outlaw and his band of merry men allegedly made their home.

Sherwood Forest was the largest of 90 royal forests created by William the Conqueror and once covered most of Nottinghamshire north of the River Trent.

From the 12th to 14th century, when the Sheriff of Nottingham enforced a strict forest law to protect the king’s livestock, Sherwood became home to numerous highwaymen.

They hunted for animals and robbed passing travellers along the erstwhile Great North Road — now the present-day A1.

Audio trail

The Major Oak is my starting point today to follow a new interactive audio trail, In the Footsteps of Robin Hood.

It retraces the trail blazed across the Nottinghamshire countryside by the character that has evolved from medieval folk tale to TV action hero via various incarnations on the silver screen.

Joining me to follow in the footsteps of Robin Hood’s is John Charlesworth, an expert in local history, who acted as a consultant to the development of the trail.

“Personally I believe Robin was a real outlaw, not just a fictional character,” says John.

“In the 1220s, a Robert Hod appeared in court in Yorkshire and was made into a fugitive from the law. He is the original Robin Hood.”

The trail is based around seven key sites, forming a triangular route from Sherwood Forest via Nottingham Castle in central Nottingham to Clumber Park near the town of Worksop.

There are also three new walking trails marked off the main route, all of which are designed to help explore the rural reaches of the East Midlands through their connection to the Robin Hood story.

At each of the locations a crossbow-shaped interpretation unit adds context to the truth behind the Robin Hood legend via audio-visual material.

Sound tracks

For the car journey between the sites, you can buy the CD commentary from local tourist offices and check the accompanying map; alternatively download it as a podcast to your iPod and bike your way round following the Sustrans National Cycle Route.

From the Major Oak, John and I retrace our steps through the 450-acre forest, following flower-strewn woodland paths and passing heathlands alive with birdlife.

We emerge from a clearing into the attractive village of Edwinstowe, home to a slew of places to stay and eat on the fringe of Sherwood Forest.

From here we take to the car, driving through the rural heart of Nottinghamshire’s Robin Hood country while John explains how one of the original medieval tales, The Gest of Robin Hood, is the basis for the legend as we know it today.

The fable tells of Robin’s rivalry with the Sheriff, the legend of splitting a silver arrow with his mastery of the longbow and the eventual pardoning by King Edward.

It even includes references to his merry men, including Will Scarlet and Little John, but Friar Tuck and Maid Marian are absent, likely to be latter-day additions as the legend evolved.

Stately home

Heading northeast from Edwinstowe, the next stop is Rufford Abbey, founded in the 12th century by Cistercian monks and later transformed into a country estate for several wealthy local families.

Legends suggest that, while Robin famously robbed the rich and gave to the poor, he had an uneasy relationship with the Church of England and the abbey’s crypt, located in the expansive grounds, still contains ancient manuscripts and tapestries with records from Robin’s day.

The next stop, Clumber Park, was formerly a major deer-hunting park, where Robin would have hunted in defiance of forest law.

The country house was demolished in 1938 but the park remains with its Gothic chapel, wide-open spaces and expansive lake.

As we stroll along a serene avenue, where lime trees sway gently in the breeze, John explains how, before the current hit TV series, the Legend of Robin Hood had been a favourite of cinema audiences.

The American actor Errol Flynn played the outlaw with verve in the 1938 classic The Adventures of Robin Hood, while a new film, starring Russell Crowe is currently in production.

There was even a 1960’s Canadian cartoon series, Rocket Robin Hood, which finds Robin living on the Sherwood asteroid in outer space.

“For me Errol Flynn portrayed Robin Hood best, with great fencing and a superb musical score, but I do have a sneaking fondness for Robin and Marian (1976), staring Sean Connery and Audrey Hepburn,” says John.

“It has a more poignant feel, portraying Robin as a man out of his time.”

Evolving story

Our last stop is Cresswell Crags on the trail’s northwest spur, where Robin is alleged to have hidden while fleeing the Sheriff of Nottingham with a bounty on his head.

Under forest law, outlaws could be take dead or alive and Robin would have hidden in the dark, dank chambers of the caves to escape both the Sheriff’s men and locals seeking to betray him for a bag of silver.

Back in Edwinstowe village we end our journey with a stroll around the churchyard of St Mary’s where, according to the legend’s happy ending, Robin and Maid Marian were finally married.

“For me the way Robin reflects our modern-day issues is what makes him such a fascinating character,” says John as we say our farewells.

“Robin can change with the times but the core of the story remains timeless.”

What did you think of this story? Post your comments below.

This story was first published in Ink in-flight magazines in 2007.

Liked this? Try also Light Night in Nottingham.

Pushing the limits of Easter at Carden Park

IMG_2486

It’s good to push yourself sometimes.

At least, that’s what I kept telling myself as I stepped gingerly off the platform and clung to the rope for dear life, my legs instantly contorting into a most ungraceful set of splits as I did so.

It was bad enough trying not to look down the 50ft-odd drop to the forest floor below but, with Maya and Olivia about to follow me out onto the aerial ropes course [pictured above], there could be no bottling it by dad.

“The first one is always the worst,” said instructor Phil, trying to sound reassuring. “It’s the fear of stepping into the abyss.”

Easter activities

We had come to Carden Park Hotel in Cheshire to try out some of the activities for the forthcoming Easter holidays. The hotel offers crazy golf and archery sessions, as well as boasting its own vineyard.

I had expected a gentle afternoon on the Easter Trail, searching for clues in the grounds to win chocolate eggs.

But the idea of leading my two daughters across a series of elevated platforms and obstacles caught me off guard.

We had harnesses and a full safety briefing, of course. But, despite the incentive of finding mini eggs along the course, did we have the nerve?

More to the point, as the responsible adult in charge of two primary-school-aged children more used to playing on the CBBC app than swinging like monkeys through an adventure playground, had I taken leave of my senses?

Active kids

Maybe not.

The National Trust report, Natural Childhood, suggests our children are exhibiting the symptoms of a modern phenomenon known as ‘Nature Deficit Disorder’ in regard to their lack of engagement with nature.

A key reason for this, it suggests, is the aversion of many parents to any form of risk. “No natural environment is completely free from risk,” writes report author Stephen Moss.

“But these risks are a fundamental part of childhood: by gradually learning what is safe and what is dangerous, especially with regard to their own actions and behaviours, children develop their own ‘risk thermostat’.”

The Council for Learning Outside the Classroom supports this view, expressing concern for the long-term implications for not allowing children and young people to experience risk, challenge and adventure.

The group promotes more creative approaches to curriculum development and summarises its concerns about risk aversion here.

Confidence building

From climbing nets to swinging logs, we made our tentative way across the course, instructor Phil [pictured below] lending a helping head to coax a nervous Maya across the high-wire stepping stones and swing a worried-looking Olivia across a gap too wide for little legs on her harness.

IMG_2494

He was less forgiving of dad as I edged my way along an elevated log walkway and hesitated at a see-saw bridge. “Go on, attack it,” he advised, dismissing my request for emergency technique coaching.

“That’s not attacking it,” he laughed as the children looked on nervously.

He was right. I was never in the scouts and was probably more interested in my Space Lego than climbing trees when I was Maya’s age. But demonstrating my own nervousness will only hold the girls back in life.

There were some wobbles and a few tears along the course but, after an hour of white-knuckle antics, we were negotiating the wobbly bridges of the final obstacle.

“It’s always the parents who struggle,” smiled Phil, congratulating Olivia for being the youngest person in our group to make it across. “The little kids haven’t don’t have the fear.”

Down to the wire

By the time we reached the zip wire platform for the 250m descent back to terra firm, the girls were taking the course in their stride.

They raced each other on the zip wire [watch the vimeo] and laughed as I trundled behind, dangling like a limp balloon from my harness over a swampy bit of ground at the bottom.

Before I could even get myself free, Olivia was already devouring the first of several Easter eggs.

“Again,” she squealed as I headed for coffee and a long sit down.

I’m not booking a week at Center Parcs just yet but we had dared to step beyond our comfort zones.

And, once more, it took two young children to remind their sensible dad of a valuable life lesson: sometimes you just have to step into the abyss.

  • Activities run from March 25 to April 10 at the hotel’s Event Station and are open to non-residents; prices and bookings here

What did you think of this story? Post your comments below.

Liked this? Try also Family Cycling story wins at Holland Travel Awards.

Story of the week: Snowdonia Arts Festival in Betws-y-Coed

SANYO DIGITAL CAMERA

I find Alison Bradley in the doorway of her Betws-y-Coed gallery checking the weather.

“I’m always struck by the movements in the clouds, the rain and the trees in the forest,” says the Nottingham-born artist, surrounded by her oil and charcoal Welsh landscapes from a landscape of a mist-shrouded Moel Siabod to dawn at Cwm Idwal.

“The Snowdonia weather is very changeable but it brings a dramatic variety of light and shade to the landscape.”

The Alison Bradley gallery opened two years ago in the Alpine-style village of Betws-y-Coed at the heart of the Snowdonia National Park.

Artistic legacy

But Alison is not the first artist to be inspired by the lush-verdant Gwydyr Forest on Snowdonia’s eastern flank, the valley-carving intersection of the Rivers Conwy and Llugwy, and the water-frothing Swallow Falls between Betws-y-Coed and Capel Curig.

While the village is better known today as a centre for walking, it was, in fact, home to Britain’s first ever artists’ colony.

The landscape artist David Cox, a contemporary of Turner, first came to Betws in 1844 to capture the transient beauty of the changing seasons in Snowdonia.

He made his summer base at the town’s Royal Oak Hotel and his students soon followed, establishing a popular retreat for artists during Victorian times.

His best-known work, A Welsh Funeral, inspired by the funeral of a young girl at the village’s 14th-century St Michael’s Church, is today exhibited at Tate Britain.

“Cox worked with atmosphere, the wind and rain, water running over stepping stones,” says Alison. “He was always checking the weather.”

Arts Festival

This October, a small but dedicated group of local people is staging the Snowdonia Arts Festival in Betws-y-Coed. The event is only the second of its kind and a refined version of the Betws-y-Coed Arts Festival held last spring.

This year’s festival features a much-expanded programme of exhibitions by Welsh artists and practical workshops by day, plus music, literary and poetry events by night.

The festival centre and a showcase of craft producers from across North Wales will be housed in a marquee on Cae Llan, the village green.

“Setting up a new arts festival from scratch is really hard work and we’ve definitely learnt some lessons along the way,” says Jon Davies, a professional picture framer by trade and member of the festival’s eight-strong festival committee.

“It takes a small group of like-minded people who are passionate about something to grow the festival organically over time and build support from the local community.”

The event is underscored by its community ethos. The organisers are local residents working in tourism, who run galleries, B&Bs and hotels amongst others.

They plan to make use of various public spaces around the village from the Memorial Hall, which will house drama workshops, to the Waterloo Hotel, home to an open exhibition of artists working in all disciplines from ceramics to 3-D artworks.

Amongst the festival highlights, the workshops, priced £24-50 per person, include sessions on working with watercolours and mixed media with local artists Chloe Needham and Eleri Jones.

Alison is hosting a workshop about painting outdoors. For people staying over for the weekend, places to eat round Betws, such as stylish cafe Plas Derwen and local stalwart Bistro Betws-y-Coed, will be showcasing the best of local produce.

“We want to open up Betws to people outside the traditional community of walkers and encourage them to see the place in a new light,” says Marion Owen, Secretary of the Snowdonia Arts Festival and owner of the Mair Lys B&B in Betws-y-Coed.

“The autumn colours are beautiful here and there are lots of artists, working in studios around the region, just waiting to be discovered.”

Art trail

Heading north through the Conwy Valley, the Mostyn gallery in Llandudno re-opened in May this year after three years of renovations.

The building, finally freed of scaffolding, looks aesthetically striking with the original terracotta facade restored to its turn-of-the-century finery and light, high-ceilinged galleries to show off the work of contemporary artists from around the world.

“There’s an increasingly lively arts scene across North Wales with artists like Bedwyr Williams coming back home to establish their practices. The ease of transport and communication is helping drive the largest return to Wales since the day’s of the Betws artists’ colony,” says Martin Barlow, Director of Mostyn.

But how some words of advice for the Snowdonia Arts Festival in its bid to establish a presence on the art circuit?

“Most arts events are born out of the passion and dedication of a small number of people at the outset,” he adds. “They need that to sustain them until they gain wider funding and support.”

Little acorns

Later that afternoon Alison leads me along the bustling, tree-lined main thoroughfare through Betws, the old Holyhead to London stage coach route.

Hikers are busily scouring the outdoor shops for bargains, families are devouring ice creams after rides on the model train and grandparents are browsing for souvenirs at Anna Davies, the history-packed independent department store with its lost-in-time feel.

The majority are probably are oblivious to the rich artistic heritage of the village, but clues abound.

Alison knows a hidden-gem hint to former glories. She leads me into the lounge-bar of the Royal Oak Hotel, where David Cox’s 1847 painting for the hotel sign still hangs above the fireplace.

In the wake of Cox, Betws remained an artistic community until the First World War. In 1882, the artist Clarence Whaite and other colony artists were instrumental in the founding of the Royal Cambrian Academy in nearby Conwy, a place to celebrate the art produced in, and inspired by, Wales.

Today, with a new generation of artists discovering Snowdonia as a place to fuel their artistic fire, its time has come again.

“We’re a small festival and the emphasis is currently on the quality of the art, not the visitor numbers,” says Alison.

“We hope the festival will, over time, put Betws-y-Coed on the map once more.”

What did you think of this story? Post your comments below.

Liked this? Try also Exploring Snowdonia in National Parks Week.

Reporting for BBC School Report Day at Queens Park High School, Chester

SchoolReport

BBC School Report marked its tenth anniversary this week.

The initiative from BBC News helps 11 to 16-year-old students develop their journalistic skills.

I joined a group of wannabe hacks at Queens Park High School, Chester, to brainstorm ideas for print- and video-journalism reports.

Check out some of the work from the day here.

More about BBC School Report.

What did you think of this story? Post your comments below.

Liked this? Try also Media literacy at Horns Mill primary School, Helsby.