Players, makers and stitchers of the 2023 Chester Mystery Plays Company (image: Chester Mystery Plays).
The Chester Mystery Plays return to Chester Cathedral this summer, the season coinciding with the Chester Heritage Festival.
The production comprises a huge cast of professional and non-professional performers (pictured above), many volunteering for roles on stage, in the choir, or behind the scenes.
I wrote a preview of the production, based around an interview with the actor Nick Fry, who shares the role of God with a female actor this summer.
The 24 plays, based on Bible stories, form an overarching narrative from The Creation to The Last Judgement, and are performed on a five-year cycle in Chester.
They originated in the city in 1300s, with small-scale church productions and a script in Latin. By the 1400s, the plays had been adopted by the Crafts Guilds, bodies of local tradesmen like a modern-day trade union, to be staged and performed in Middle English.
The plays formed part of the three-day Feast of Corpus Christi Fair with the players performing on pageant carts and the audience standing at fixed points around the city, such as The Cross and Abbey Gateway — locations still there today.
The Plays became associated with bawdy crowd behaviour and were banned after the Reformation, with last performance in Chester in 1578; making Chester home to the longest-running cycle in medieval times.
But the plays returned to the city as part of the 1951 Festival of Britain, and have been performed at Chester Cathedral since 2013.
Nick Fry, says:
“The Chester Mystery Plays reflect the history of both the cathedral and the city. And it’s a living history. The plays are steeped in history, yet remain of the community and for the community.”
I’m finally catching up on posting assignments over the autumn and the first stop? Blackpool.
The nights may be drawing in, but autumn finds brassy Blackpool bathed in “artificial sunshine”.
The world-renowned Blackpool Illuminations along the promenade (pictured above) have been extended this year until 3 January, building on a tradition that began in 1879, when arc lamps replaced gas lights to bring winter cheer.
Illuminations aside, the kiss-me-quick seaside resort continues to reinvent, shaking off its bawdy image with new places to eat, stay and party.
He sprawled back in the driving seat and folded his arms at the lights, revealing a tattoo snaking down his fleshy forearm.
It read: “Blessed to be born in Yorkshire.”
“The problem is,” he added, “City of Culture only interests about two per cent of local people.”
Running late
Hull has a problem. It has been chosen as the UK City of Culture and the blue touch paper for the fireworks is due to be lit on January 1st.
But Hull clearly isn’t ready. The street works are causing chaos, the regeneration projects are running behind and the city suffers a major dearth of hotels rooms.
With an extra 1m visitors expected in the year ahead, the new Hilton hotel looks unlikely to be ready before September and a rumoured Radisson Blu hasn’t even broken ground yet.
Local people are either feeling frustrated, or completely disinterested.
After successful cultural-regeneration projects in Derry and previously Liverpool (as a European City of Culture), Hull is feeling the heat.
Weekend away
I came to Hull for a half-term break, introducing the girls to the city closely associated with the poet Philip Larkin [his statue at the train station pictured above].
Larkin described his home town:
This town has docks were channel boats come sidling; Tame water lanes, tall sheds, the traveller sees … His advent blurted to the morning shore — Arrivals, Departures (1954)
Today much of the industry is gone. The Fruit Market area of the old docklands is a work-in-progress building site with hipster hang-outs closing as fast as they open.
Only The Deep, the family-bustling aquarium with its perennially popular penguins, rises with any certainly above the shifting cityscape beyond the waterfront.
I want Hull to hit its stride. I plan to return with the right commission.
But, meanwhile, the taxi driver wasn’t holding his breath.
“When it happens,” he added, dropping us at the station for the journey home, ” then it will be more luck than planning.”
At least, that’s what I kept telling myself as I stepped gingerly off the platform and clung to the rope for dear life, my legs instantly contorting into a most ungraceful set of splits as I did so.
It was bad enough trying not to look down the 50ft-odd drop to the forest floor below but, with Maya and Olivia about to follow me out onto the aerial ropes course [pictured above], there could be no bottling it by dad.
“The first one is always the worst,” said instructor Phil, trying to sound reassuring. “It’s the fear of stepping into the abyss.”
Easter activities
We had come to Carden Park Hotel in Cheshire to try out some of the activities for the forthcoming Easter holidays. The hotel offers crazy golf and archery sessions, as well as boasting its own vineyard.
I had expected a gentle afternoon on the Easter Trail, searching for clues in the grounds to win chocolate eggs.
But the idea of leading my two daughters across a series of elevated platforms and obstacles caught me off guard.
We had harnesses and a full safety briefing, of course. But, despite the incentive of finding mini eggs along the course, did we have the nerve?
More to the point, as the responsible adult in charge of two primary-school-aged children more used to playing on the CBBC app than swinging like monkeys through an adventure playground, had I taken leave of my senses?
Active kids
Maybe not.
The National Trust report, Natural Childhood, suggests our children are exhibiting the symptoms of a modern phenomenon known as ‘Nature Deficit Disorder’ in regard to their lack of engagement with nature.
A key reason for this, it suggests, is the aversion of many parents to any form of risk. “No natural environment is completely free from risk,” writes report author Stephen Moss.
“But these risks are a fundamental part of childhood: by gradually learning what is safe and what is dangerous, especially with regard to their own actions and behaviours, children develop their own ‘risk thermostat’.”
The Council for Learning Outside the Classroom supports this view, expressing concern for the long-term implications for not allowing children and young people to experience risk, challenge and adventure.
The group promotes more creative approaches to curriculum development and summarises its concerns about risk aversion here.
Confidence building
From climbing nets to swinging logs, we made our tentative way across the course, instructor Phil [pictured below] lending a helping head to coax a nervous Maya across the high-wire stepping stones and swing a worried-looking Olivia across a gap too wide for little legs on her harness.
He was less forgiving of dad as I edged my way along an elevated log walkway and hesitated at a see-saw bridge. “Go on, attack it,” he advised, dismissing my request for emergency technique coaching.
“That’s not attacking it,” he laughed as the children looked on nervously.
He was right. I was never in the scouts and was probably more interested in my Space Lego than climbing trees when I was Maya’s age. But demonstrating my own nervousness will only hold the girls back in life.
There were some wobbles and a few tears along the course but, after an hour of white-knuckle antics, we were negotiating the wobbly bridges of the final obstacle.
“It’s always the parents who struggle,” smiled Phil, congratulating Olivia for being the youngest person in our group to make it across. “The little kids haven’t don’t have the fear.”
Down to the wire
By the time we reached the zip wire platform for the 250m descent back to terra firm, the girls were taking the course in their stride.
They raced each other on the zip wire [watch the vimeo] and laughed as I trundled behind, dangling like a limp balloon from my harness over a swampy bit of ground at the bottom.
Before I could even get myself free, Olivia was already devouring the first of several Easter eggs.
“Again,” she squealed as I headed for coffee and a long sit down.
I’m not booking a week at Center Parcs just yet but we had dared to step beyond our comfort zones.
And, once more, it took two young children to remind their sensible dad of a valuable life lesson: sometimes you just have to step into the abyss.
Activities run from March 25 to April 10 at the hotel’s Event Station and are open to non-residents; prices and bookings here.
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Players, makers and stitchers of the 2023 Chester Mystery Plays Company (image: Chester Mystery Plays).
