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Pushing the limits of Easter at Carden Park

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It’s good to push yourself sometimes.

At least, that’s what I kept telling myself as I stepped gingerly off the platform and clung to the rope for dear life, my legs instantly contorting into a most ungraceful set of splits as I did so.

It was bad enough trying not to look down the 50ft-odd drop to the forest floor below but, with Maya and Olivia about to follow me out onto the aerial ropes course [pictured above], there could be no bottling it by dad.

“The first one is always the worst,” said instructor Phil, trying to sound reassuring. “It’s the fear of stepping into the abyss.”

Easter activities

We had come to Carden Park Hotel in Cheshire to try out some of the activities for the forthcoming Easter holidays. The hotel offers crazy golf and archery sessions, as well as boasting its own vineyard.

I had expected a gentle afternoon on the Easter Trail, searching for clues in the grounds to win chocolate eggs.

But the idea of leading my two daughters across a series of elevated platforms and obstacles caught me off guard.

We had harnesses and a full safety briefing, of course. But, despite the incentive of finding mini eggs along the course, did we have the nerve?

More to the point, as the responsible adult in charge of two primary-school-aged children more used to playing on the CBBC app than swinging like monkeys through an adventure playground, had I taken leave of my senses?

Active kids

Maybe not.

The National Trust report, Natural Childhood, suggests our children are exhibiting the symptoms of a modern phenomenon known as ‘Nature Deficit Disorder’ in regard to their lack of engagement with nature.

A key reason for this, it suggests, is the aversion of many parents to any form of risk. “No natural environment is completely free from risk,” writes report author Stephen Moss.

“But these risks are a fundamental part of childhood: by gradually learning what is safe and what is dangerous, especially with regard to their own actions and behaviours, children develop their own ‘risk thermostat’.”

The Council for Learning Outside the Classroom supports this view, expressing concern for the long-term implications for not allowing children and young people to experience risk, challenge and adventure.

The group promotes more creative approaches to curriculum development and summarises its concerns about risk aversion here.

Confidence building

From climbing nets to swinging logs, we made our tentative way across the course, instructor Phil [pictured below] lending a helping head to coax a nervous Maya across the high-wire stepping stones and swing a worried-looking Olivia across a gap too wide for little legs on her harness.

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He was less forgiving of dad as I edged my way along an elevated log walkway and hesitated at a see-saw bridge. “Go on, attack it,” he advised, dismissing my request for emergency technique coaching.

“That’s not attacking it,” he laughed as the children looked on nervously.

He was right. I was never in the scouts and was probably more interested in my Space Lego than climbing trees when I was Maya’s age. But demonstrating my own nervousness will only hold the girls back in life.

There were some wobbles and a few tears along the course but, after an hour of white-knuckle antics, we were negotiating the wobbly bridges of the final obstacle.

“It’s always the parents who struggle,” smiled Phil, congratulating Olivia for being the youngest person in our group to make it across. “The little kids haven’t don’t have the fear.”

Down to the wire

By the time we reached the zip wire platform for the 250m descent back to terra firm, the girls were taking the course in their stride.

They raced each other on the zip wire [watch the vimeo] and laughed as I trundled behind, dangling like a limp balloon from my harness over a swampy bit of ground at the bottom.

Before I could even get myself free, Olivia was already devouring the first of several Easter eggs.

“Again,” she squealed as I headed for coffee and a long sit down.

I’m not booking a week at Center Parcs just yet but we had dared to step beyond our comfort zones.

And, once more, it took two young children to remind their sensible dad of a valuable life lesson: sometimes you just have to step into the abyss.

  • Activities run from March 25 to April 10 at the hotel’s Event Station and are open to non-residents; prices and bookings here

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Story of the week: Snowdonia Arts Festival in Betws-y-Coed

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I find Alison Bradley in the doorway of her Betws-y-Coed gallery checking the weather.

“I’m always struck by the movements in the clouds, the rain and the trees in the forest,” says the Nottingham-born artist, surrounded by her oil and charcoal Welsh landscapes from a landscape of a mist-shrouded Moel Siabod to dawn at Cwm Idwal.

“The Snowdonia weather is very changeable but it brings a dramatic variety of light and shade to the landscape.”

The Alison Bradley gallery opened two years ago in the Alpine-style village of Betws-y-Coed at the heart of the Snowdonia National Park.

Artistic legacy

But Alison is not the first artist to be inspired by the lush-verdant Gwydyr Forest on Snowdonia’s eastern flank, the valley-carving intersection of the Rivers Conwy and Llugwy, and the water-frothing Swallow Falls between Betws-y-Coed and Capel Curig.

While the village is better known today as a centre for walking, it was, in fact, home to Britain’s first ever artists’ colony.

The landscape artist David Cox, a contemporary of Turner, first came to Betws in 1844 to capture the transient beauty of the changing seasons in Snowdonia.

He made his summer base at the town’s Royal Oak Hotel and his students soon followed, establishing a popular retreat for artists during Victorian times.

His best-known work, A Welsh Funeral, inspired by the funeral of a young girl at the village’s 14th-century St Michael’s Church, is today exhibited at Tate Britain.

“Cox worked with atmosphere, the wind and rain, water running over stepping stones,” says Alison. “He was always checking the weather.”

Arts Festival

This October, a small but dedicated group of local people is staging the Snowdonia Arts Festival in Betws-y-Coed. The event is only the second of its kind and a refined version of the Betws-y-Coed Arts Festival held last spring.

This year’s festival features a much-expanded programme of exhibitions by Welsh artists and practical workshops by day, plus music, literary and poetry events by night.

The festival centre and a showcase of craft producers from across North Wales will be housed in a marquee on Cae Llan, the village green.

“Setting up a new arts festival from scratch is really hard work and we’ve definitely learnt some lessons along the way,” says Jon Davies, a professional picture framer by trade and member of the festival’s eight-strong festival committee.

“It takes a small group of like-minded people who are passionate about something to grow the festival organically over time and build support from the local community.”

The event is underscored by its community ethos. The organisers are local residents working in tourism, who run galleries, B&Bs and hotels amongst others.

They plan to make use of various public spaces around the village from the Memorial Hall, which will house drama workshops, to the Waterloo Hotel, home to an open exhibition of artists working in all disciplines from ceramics to 3-D artworks.

Amongst the festival highlights, the workshops, priced £24-50 per person, include sessions on working with watercolours and mixed media with local artists Chloe Needham and Eleri Jones.

Alison is hosting a workshop about painting outdoors. For people staying over for the weekend, places to eat round Betws, such as stylish cafe Plas Derwen and local stalwart Bistro Betws-y-Coed, will be showcasing the best of local produce.

“We want to open up Betws to people outside the traditional community of walkers and encourage them to see the place in a new light,” says Marion Owen, Secretary of the Snowdonia Arts Festival and owner of the Mair Lys B&B in Betws-y-Coed.

“The autumn colours are beautiful here and there are lots of artists, working in studios around the region, just waiting to be discovered.”

Art trail

Heading north through the Conwy Valley, the Mostyn gallery in Llandudno re-opened in May this year after three years of renovations.

The building, finally freed of scaffolding, looks aesthetically striking with the original terracotta facade restored to its turn-of-the-century finery and light, high-ceilinged galleries to show off the work of contemporary artists from around the world.

“There’s an increasingly lively arts scene across North Wales with artists like Bedwyr Williams coming back home to establish their practices. The ease of transport and communication is helping drive the largest return to Wales since the day’s of the Betws artists’ colony,” says Martin Barlow, Director of Mostyn.

But how some words of advice for the Snowdonia Arts Festival in its bid to establish a presence on the art circuit?

“Most arts events are born out of the passion and dedication of a small number of people at the outset,” he adds. “They need that to sustain them until they gain wider funding and support.”

Little acorns

Later that afternoon Alison leads me along the bustling, tree-lined main thoroughfare through Betws, the old Holyhead to London stage coach route.

Hikers are busily scouring the outdoor shops for bargains, families are devouring ice creams after rides on the model train and grandparents are browsing for souvenirs at Anna Davies, the history-packed independent department store with its lost-in-time feel.

The majority are probably are oblivious to the rich artistic heritage of the village, but clues abound.

Alison knows a hidden-gem hint to former glories. She leads me into the lounge-bar of the Royal Oak Hotel, where David Cox’s 1847 painting for the hotel sign still hangs above the fireplace.

In the wake of Cox, Betws remained an artistic community until the First World War. In 1882, the artist Clarence Whaite and other colony artists were instrumental in the founding of the Royal Cambrian Academy in nearby Conwy, a place to celebrate the art produced in, and inspired by, Wales.

Today, with a new generation of artists discovering Snowdonia as a place to fuel their artistic fire, its time has come again.

“We’re a small festival and the emphasis is currently on the quality of the art, not the visitor numbers,” says Alison.

“We hope the festival will, over time, put Betws-y-Coed on the map once more.”

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Reporting for BBC School Report Day at Queens Park High School, Chester

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BBC School Report marked its tenth anniversary this week.

The initiative from BBC News helps 11 to 16-year-old students develop their journalistic skills.

I joined a group of wannabe hacks at Queens Park High School, Chester, to brainstorm ideas for print- and video-journalism reports.

Check out some of the work from the day here.

More about BBC School Report.

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A world-class hotel in Chester

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* It’s English Tourism Week, so here’s an idea for a English Tourism Week escape — first published by the Daily Telegraph this week.

A Chester hotel has been named the world’s best small hotel

Edgar House [pictured above], a seven-bedroom boutique property in Northwest England, beat hotels in New Zealand, Costa Rica and Thailand to take the top spot in the Tripadvisor Travellers’ Choice Awards announced this week.

The results are based on reviews and opinions collected over the past year from TripAdvisor readers. This is the first year the hotel has entered the small hotel category.

“Guests always comment on the personal touches and attention to detail — from the ducks in the bathroom to the little treats o the pillow at bedtime,” says co-owner Tim Mills, sitting by the open fire in the lounge against a backdrop of classical music.

“It’s easy to feel like just another room number in a hotel but we aim to keep on making people feel special and looked after.”

The hotel, set in a period Georgian building overlooking the River Dee, opened in 2013 and welcomes guests aged 14 and above.

The individual rooms are stylish while artworks from Chester’s Castle Galleries adorn the walls throughout and a new cinema room with a large screen and gourmet popcorn is available downstairs.

Restaurant Twenty2, a fine-dining restaurant under head chef Neil Griffiths, opened within the building last November.

The 24-cover dining room opens Wednesday to Sunday for Sunday lunches, afternoon teas and evening meals.

The Roman city of Chester will see the opening of its new £37 arts centre, run and programmed the arts producer Chester Performs, later this year.

The stately Chester Grosvenor Hotel celebrated its 150th anniversary last year.

“Chester is my favourite English city. It’s compact to explore and a great base to explore the wider region,” says Midlands-born Tim.

“It’s a small city of romance — a perfect place to propose.”

Katrina Michel, Chief Executive of Marketing Cheshire, adds: “Chester is a world class heritage city and now we have another world class hotel to welcome visitors.”

Read the Telegraph review, Edgar House.

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